The Cult of

The Cult Of Personality

Tuesday, June 28, 2011

Passiven-Aggressive Bullshit!

“Dead as dead can be,” my doctor tells me But I just can’t believe him, never the optimistic one I’m sure of your ability to become my perfect enemy Wake up and face me, don’t play dead cause maybe Someday I will walk away and say, “You disappoint me,” Maybe you’re better off this way

Leaning over you here, cold and catatonic I catch a brief reflection of what you could and might have been It's your right and your ability To become…my perfect enemy…

Wake up and face me, don’t play dead cause maybe Someday I’ll walk away and say, “You disappoint me,” Maybe you’re better off this way

Maybe you’re better off this way Maybe you’re better off this way Maybe you’re better off this way You’re better of this…you’re better off this… Maybe you’re better off!

Wake up and face me, don’t play dead cause maybe Someday I’ll walk away and say, “You fucking disappoint me!” Maybe you’re better off this way

Go ahead and play dead I know that you can hear this Go ahead and play dead Why can't you turn and face me? Why can't you turn and face me? Why can't you turn and face me? Why can't you turn and face me? You fucking disappoint me!

Monday, June 27, 2011

First Look: X-Men: Schism

Preview art from Carlos Pacheco and Frank Cho

X-MEN: SCHISM #1 & #2 (of 5)
Written by JASON AARON Pencils and Covers by CARLOS PACHECO (#1) AND FRANK CHO (#2)
Issue #1 Variant Cover by FRANK CHO
Issue #1 Variant Cover by NICK BRADSHAW
Issue #1 Blank Variant Cover also available
The X-Men event of the decade starts here! It’s never been a more dangerous time to be a mutant. Even with their numbers at a record low, the world refuses to trust mutantkind…and after a mutant-triggered international incident, anti-mutant hatred hits new heights. Of course it’s at this moment, when the mutant race needs most to stand together, that a split begins that will tear apart the very foundation of the X-Men. From superstar writer and Marvel Architect Jason Aaron and a full roster of comics’ top artists, this is an X-tale that will reverberate for years to come! Come October, the X-Men landscape will be irreparably changed.
(#1) 48 PGS/Rated T+ …$4.99 -- ON SALE 7/13/11
(#2) 32 PGS /Rated T+ …$3.99 -- ON SALE 7/27/11






Sunday, June 26, 2011

Captain America The First Avenger Trailer 2

Captain America The First Avenger Trailer

Captain America's New Poster

Steve Rogers gets his America on.

Marvel's Captain America: The First Avenger released their latest poster on Yahoo! Movies earlier today, and now IGN has it. Much like the previous one, it's about nine different types of: "America, Eff Yeah!"

The new poster comes on the heels of good buzz surrounding recent press screenings of the film, which hits theaters July 22, 2011. (Right smack in the middle of Comic-Con weekend.)


Saturday, June 25, 2011

Is this warrior of Shao Kahn's a worthy download?

Mortal Kombat: Skarlet's Hungry for Blood

The first downloadable combatant to join the fray in Mortal Kombat,Skarlet is one part ferocious warrior, one part porn star. As GameSpy Executive Editor Ryan Scott said, Skarlet's Fatalities are elaborate, bloody porno moves. It was hard to believe at first, but after seeing "Blood Bath" and "Make It Rain," I'd say Shao Kahn created a real sadist when he crafted Skarlet. But we'll get to that later.

For about five dollars, you can add Skarlet to your Mortal Kombat roster and revel in her sexually charged violence. According to Skarlet's official description, she's the product of fused warrior blood and a pinch of sorcery. She's one of Shao Kahn's minions, and she's been tasked with keeping an eye on Quan Chi because you can never trust someone that pale... especially one who can also summon the dead.

Five dollars is a steep price for a single character, and characters are fundamental elements to a fighting game that shouldn't be excluded from the original disc. With that said, Skarlet is fun to use and handles like Kitana. Skarlet has a few close range special attacks but also boasts a series of projectiles that can be launched at different angles. Skarlet uses two short swords attached to her back and a set of kunai for those projectiles.

Skarlet has several standard techniques that work well with her special attacks. Her Slash special, for example, sends her opponent up into the air, priming them for juggle combos. Her Dagger Toss, a startlingly fast projectile, can be performed on the ground and in the air (in two different directions). It's also easy to land on a juggled enemy.

Skarlet's X-Ray Attack is a forward jump attack where she flips through the air with her blades and lands a strike from above. The attack then transitions into a palm to the nose and a boot heel to the eye socket. It's about as painful looking as you'd expect from the series.

Of course every combatant needs some gory Fatalities to end a match on a high note. This is where Skarlet's "scandal level" rises significantly. Her first Fatality, Blood Bath, starts with a slash to the enemy's throat, followed by a fountain of blood that splashes against Skarlet's face as she whips it around, enthused. Make It Rain, alternatively, places Skarlet directly underneath her opponent who is strung up on tendrils of blood. She proceeds to slash her opponent's stomach and bathe in the resulting gory bits, as a slow, unassuming camera zoom brings her bloodied chest to the forefront.

Also, Skarlet's idle animation involves some hip grinding.

Skarlet is plenty of fun and just as over-the-top as the rest of the Mortal Kombat roster. But is she worth five dollars? If extra characters mean the world to you, then yes, she's worth it. Otherwise, only shell out the money if you want to see some digital sadism that would make Mileena blush.


The Mighty Thor #3 Review

Galactus might be coming, but Loki is more concerned with being a creeper.

The first thought that flew through my mind upon finishing The Mighty Thor #3 is that this is, from top to bottom, a fun comic book. It seems like Matt Fraction is having a blast writing this series, and the book's energy is contagious. I had a smirk on my face the entire time. Whether it's the scene of Volstagg heading into Broxton to get his munchies on, Thor and Silver Surfer having a manly pissing match in the ashes of Asgard, or Loki trying to steal a lock of hair from Lady Sif's head, everything in The Mighty Thor #3 was a pleasure to watch unfold. Fraction has a fantastic voice for these characters that makes them as godly, hardheaded and arrogant as they should be.

If there's anything worth faulting with this issue, it's that we're still in setup mode. It's not till the very end of this issue where we finally get to the point where Asgard confronts Galactus. For people who have been reading and enjoying Fraction's other Marvel work --like I have -- the slow burn feel should come as no surprise. But if you were expecting this issue to get right into the thick of things with Galactus arriving on Earth and bringing the pain to Asgard, it's best you check those expectations at the door. But for the record, I'm fine with setting the Galactus stuff aside for scenes that have Loki being a true midnight creeper.

A large reason why I love this book is because of Olivier Coipel's beautiful art. In my mind, Coipel is the definitive contemporary artist for Thor. He is a master of bringing these Asgardian characters to life. The only instance where Coipel loses me -- and it happens a few times in issue #3 -- is with some of his overly cluttered double-page layouts. My eyes just don't naturally flow to the correct panels, and that's a storytelling issue.

It's not too late to get in on The Mighty Thor. We're only three issues in, so if you've been sitting on the fence thus far, hop on over. The water's extremely nice.


Batman: Gates of Gotham #2 Review

The secret history of Gotham City continues.

Scott Snyder and Kyle Higgins continue to peel back the layers of Gotham's secret past with Batman: Gates of Gotham #2. What's astonishing is that this series has managed to precisely detail the rise of Gotham City down to the utmost detail without ever feeling like you're stuck reading a history book. The dual narratives that Snyder and Higgins weave together mesh so fluidly that Gates of Gotham becomes one hell of an informative page-turner.

It's clear from reading Snyder's other work on American Vampire and Detective Comics that he has a fixation with incorporating history into his fiction. The historical context of a situation is as important as the actual events that transpire. Batman: Gates of Gotham is a shining example of this philosophy. Only now, Snyder has the help of Kyle Higgins to give a personality and definitive backstory to the city of Gotham, not just the costumed characters that inhabit it. Much like in the previous issue, Gates of Gotham #2 spends a lot of time detailing the rise of Gotham City's more distinct architecture. But Snyder and Higgins manage to make the scenes ripe with intrigue, whether it's through the interaction between Gotham's first three families or through the monologue musing of an architect with his head stuck in the clouds.

What's so impressive is that Snyder and Higgins flow the narrative from past to present and back again so flawlessly. Everything is connected, with Snyder and Higgins' script keeping the intrigue level at a constant high. Nearly every line of dialogue feels like it has a double meaning; that sooner or later something is going to come to light that blows this whole situation out of the water. And wouldn't you know it, that very thing happens on the final page of this issue. You'll finish Gates of Gotham #2 and want to go back and reread both issues back to back to see how the breadcrumbs have been laid out in front of you since the very start.

I'm also a big fan of artist Trevor McCarthy's work in Gates of Gotham. He shows a lot of range with his pencils between the flashback sequences set in the late 1800s and the darker, contemporary superhero stuff. McCarthy also has a great knack for pacing, which is especially true as you get to the final few pages of this issue. As the book starts to ramp up tension and push the pedal to the ground, McCarthy's panel layouts step right in line with Snyder and Higgin's locomotive script to deliver one great cliffhanger ending.

Batman: Gates of Gotham #2 is a must-buy comic. We're being delivered, on a silver platter no less, a definite origin story for Gotham City wrapped up in an intriguing mystery yarn.


Superman #712 Review

It's no secret that there's little more that I love in life than animals and Superman. Naturally, I'm a gigantic Krypto fan. Years back, in the wake of Infinite Crisis, Kurt Busiek had a Krypto-centric story that never saw print for one reason or another. Now, as an unexpected fill-in for a pulled issue of "Grounded," we finally get to read that story. One might think that a tale focused on Krypto dealing with Connor Kent's death might be a little dated at this point, perhaps even lacking emotional resonance. You'd be dead, dead wrong.

Though Busiek's story is indeed centered around Krypto, any human being that has ever had a connection with a dog –or any pet, really –will be hard pressed to fight back at least a solitary tear. Busiek nails the core of a very simple but incredibly hard to portray relationship between a dog and their owner. The story opens with Krypto waiting through the day on the front porch of the Kent home, with Ma Kent remarking, "It's like he's waiting for something." Pa Kent replies, "He is." From that moment on, we watch Krypto search in desperation for his missing loved one, his head popping up in excitement as birds and planes fly by. Ultimately he takes to the skies to sniff out his master, letting out an enormous howl of sorrow that echoes for miles when he gets a whiff of Connor's blood at the site of his death.

Busiek utilizes artist Rick Leonardi to a great degree, allowing most of the issue to be played silently. Both creators shine –Busiek's skill in constructing a story without dialog can't be undersold. The dialog that does appear is irrelevant to the book's emotional center. Instead, it serves more as a recap of the events of Infinite Crisis which could actually help readers that are unfamiliar with the tale or need a refresher. Other than that, Leonardi takes the reins and brings fantastic pacing and subtlety to a very delicate story. His ability to give Krypto a wide range of emotions is uncanny, helped in large part by Jonathan Sibal's thick, defining inks. This is Krypto's tale and every single panel he appears in is plump with heartbreak, love, and devotion.

It's no coincidence that two of my absolute favorite issues of Superman in the last ten years -- this one and the Loeb/Keown Superman #170 (pre-reverting to legacy numbering) –have Krypto at its center. The character represents a gateway for us to connect with the sometimes forgotten human aspect of the Kryptonian characters, let alone reflect on our own relationship with our four-legged loved ones.

Superman #712 is the pinnacle of what I desire in a comic book. I guess depending on your connection to certain things –animals, Superman, etc. –the experience could be different. But I can't deny that quite some time later,I'm still feeling the punch in my gut from the emotional impact of this book. Despite the fact that Superboy has been back longer than he was dead; that in the eyes of some, this story isn't going to "matter" come September's relaunch. Despite the fact that we know Krypto and Superboy were eventually reunited. Regardless of it all, Superman #712 delivers a blow straight to the heart with flawless storytelling and an intimate, personal tale about a boy and his dog.


Friday, June 24, 2011

Ultimate Comics Avengers vs. New Ultimates #5 Review

SPOILERS BELOW

Up until this point I've enjoyed Mark Millar and Leinil Yu's Avengers vs. New Ultimates, whether it directly tied into "The Death of Spider-Man" or not. However, there are too many examples of lazy storytelling in issue #5 to really come away satisfied with the experience.

Issue #5 picks up the action by traveling back in time to five days prior, where Nick Fury leads his Avengers team to the home of Bruce Banner's mentor, Tyrone Cash, looking for the Hulk serum. You can immediately see where this is all heading -- Nick Fury was hopped up on the juice before being shot and isn't as dead as last month's cliffhanger would have us believe. The issue then flashes back to present day and features a massive throw-down between Gregory Stark and a hulked-out Nick Fury, who's aided by the rest of his Avengers buddies, who are also 'roided out on Hulk serum. It's all a bit silly, and that's coming from a man perfectly aware that he's reading a book about men and women who play dress-up in tights to thwart crime.

If that convenient plot twist wasn't enough, Millar does it again at the issue's conclusion to get all the players in line for next issue's big climax. You'll be scratching your head and wondering how those characters got there when a few panels earlier they were clearly losing a fight somewhere completely different. Millar also fails to explain why a Chinese Spider-Man is leading a group of super soldiers in a rampage through Pyongyang, North Korea. We're left to assume what the situation is, which I gather is meant to spark an international incident. But again, it's not clearly laid out for the reader, just vaguely hinted at.

The only real consistent part of Avengers vs. New Ultimates #5 is the art of Leinil Yu and Stephen Segovia. Much like in previous issues, Yu provides mostly layouts while Segovia handles the finishes. But honestly, you wouldn't even notice this unless you looked at the issue's credit page. Yu and Segovia's work lines up so smoothly that you can't tell where one stops and the other begins. But if I had to point out one flaw in the art, it's that the coloring by Sunny Gho is rather drab.

Avengers vs. New Ultimates #5 is the most disappointing issue of the series yet. We know Mark Millar is a better storyteller than this. He uses easy outs for nearly every story beat in this issue. He's a creative guy, he could have thought up better threads to move his pawns into position. The only thing lifting this book up is the art by Yu and Segovia. If you must buy this issue, get it for the art, just don't think too hard about the logistics of the plot.


Ultimate Comics Spider-Man #160 Review

SPOILERS BELOW

When you come right down to it, the appeal of reading the finale to Ultimate Spider-Man doesn't lie in learning whether or not Peter Parker dies. Marvel has been doing its best to make sure that question was already answered for the past six months. And as such, I'm not even going to attempt to dance around the fact that Peter dies. As always, a death-oriented story succeeds or fails based on how well that death is handled. Is the emotion strong? Is the hero vindicated through their final actions? Is the death conclusive enough that readers can assume the character will stay dead for at least six months? The answer to all three questions is yes, with a few caveats for the first.

"The Death of Spider-Man" comes down to the final showdown between Green Goblin and Peter Parker, as it should be. As much as I wish Bendis had allowed for more closure between Peter and Doctor Octopus, this issue wouldn't have flowed well if anyone other than Norman were in the villain's chair. The arc closes out in a very action-oriented fashion as Peter throws every last scrap of energy into beating back the Goblin and protecting his loved ones.

The focus on action doesn't completely do justice to the story. In some ways, the stakes felt higher in Bendis' Ultimatum arc. Despite having his innards leaking out, Peter is written as more calm and collected in the battle, even finding time to crack a few jokes. Perhaps the intention was simply to write a hero resigned to his fate. But the result is that the script doesn't quite build the tension as effectively as it should. The payoff is great, but the road there is a little more rocky. The action is fast, frantic, and entertaining. But the same could be said for issue #159. This issue needed more focus on what comes after.

The payoff, however brief, is well worth the preceding four-and-a-half issues. Bendis allows Peter to go out in a manner truly suited to the character. A single line truly cements what this sacrifice means for him and his family. Aunt May's reaction in particular is gut-wrenching, and I can't wait to see how her character is handled in Ultimate Fallout. But there's the rub. I wish I didn't have to wait for Ultimate Fallout to see the impact of this story. Issue #160 doesn't have the space to deliver a true sense of closure for the series. Characters like Human Torch and Gwen Stacy are given far too little room to react to Peter's death here.

The art quality dipped a bit in issue #159, and the same holds true here. Mark Bagley's characters aren't quite as finely rendered as they were in previous issues. The rapid shipping schedule certainly didn't do this arc any favors, a fact emphasized by the presence of two inkers in this issue. But if the finer details are a little fuzzy, the general quality of storytelling is still as strong as ever. Bagley frames each and every panel to convey the maximum amount of energy and power. He delivers nicely on all the emotional fallout of the big battle. The last page in particular is handled well in all of its subtlety. And as with the previous issues, Justin Ponsor's colors help elevate Bagley's work to a new level of quality.

Issue #160 is a competent finish to the series. Unfortunately, it's not quite as emotionally resonant or gripping as Bendis' best issues. Ultimate Fallout will have to pick up the slack there. But the issue does do justice to a great hero, and it manages to build excitement for the next phase of Ultimate Spider-Man.


How The EVO 4G Gingerbread Update Treating You?

It has been a few weeks since Sprint released the official Gingerbread update for the EVO 4G and users have had a few weeks to put their shiny new OS through the paces. Some are reporting random bugs and glitches while others say that 2.3 is running as smooth as butter. With any new OS release comes varied user experiences until all the kinks are worked out, as apparent in the forums, where members are keeping a running tally of improvements and reported issues with the update. So, EVO 4G owners, feel free to sound off in the comments below-- what has your experience been with the Gingerbread update?